Lucian C. Mattison for “Yet”

Mary Liza Hartong for “Ruby Slippery”


Bim Angst

Jimmy’s Playroom
Jenny McBride

The Dilemma
Karen Fayeth

Now You See Me
Haylie Smart

Putting Mom Back Together Again
Theresa Taylor

A Foregone Conclusion
Jonah Smith-Bartlett


Casting Light
F. Patrick Stehno

Feeling as Alone as the One Finger I Showed Him
Robert Rice

A Thousand Wildfires
Sierra Windham

I Have Not Forgotten
Bleuzette La Feir

Oil on Linen
Benjamin Nardolilli

3 AM
Susan Flynn

Two Voices: A Few Small Nips
Carolyn Kreiter-Foronda

My Last Husband
Jodi Adamson

For all the other dances, I was perfect
Judith Arcana

Kristen Jackson

On Seeing, Too Close
Mary Catherine Harper

The Van Gogh Collection
Paula Brancato

Aphorisms for a New Science
John Urban

Genealogy Homework
Sharon Kennedy-Nolle

Holly Day

Summer Simplicity
Judith Grissmer

How to Sample a Sound Bite
Frank C. Modica

About Fireflies
Susan Flynn


Zinnia Smith

For Each Pilgrim Two Tales
Darren DeFrain

39 Things People With Anxiety Want You to Know
Michael William Palmer

Shilo Niziolek

(Nonna, 2016)
Amanda Salvia

Queens of Slippery Rock
Anna Swartwout
Brenna Waugaman


One Day in the Late ‘70s
Em DeMarco



Lucian C. Mattison

After Mohamad

You lived happily.                   The rocket
struck the wall                         like a hammer of lilies.
Colored cloth                           tied to the barrels
of rifles fluttered                     as if waking the wind
to itself. Night                          shelling was a game
of hide-and-go-seek                in the movie theater
basement, and the                   next day, they
mourned the found                 with pictures of
their unfound faces,                a parade of opposition
colors, more                              banners and songs
to buoy the air.                         Many left, you
among them,                             to live absent
of conditioned fear,                 a parallel life.
Makdissi continued                 to follow Hamra,
demonstrations                         ushered the trucks
of soldiers—emptied                and filled like beer
glasses on the bar.                    Nationalist of the present
tense, blinded                            augur, you wish
for nothing more                      than the chance
to draw lines                              around happiness
again: bouquet                          of childhood, petals
like ticker tape,                         wind carrying you
like prayers                                to a neighbor’s window.


Mary Liza Hartong
Ruby Slippery

The scarecrow wants a brain.
The tin man wants a heart.
The witch just wants a pair of shoes
which, if you ask me, only proves
that women are not frivolous
but learn to want less from the start.


Michelle Kubilis

there is no place to hold hands but in bed
please forgive me for that

for valentines day you wanted lions
uganda beckoned a business trip

at check in we said our company
demanded we save money each day we

pulled back both covers lounging
please just let us hold hands wed know

if amin did that to his bishop
can you imagine what theyd do to fag

Sierra Windham
I Thought I Found a Home in You

Your honeysuckle tongue
has all the backlash
of a whip, and I’ve been trying
to hold your hand
but your words leave
welts on my skin.
I settled for silence
but all that remained
were the fumes
from your pretty cherub
mouth; (toxic)
you watched
as my body rotted
from the inside out
and buried me
beneath the floorboards of our
broken house
(you are so toxic).
You said you wanted a home
but my feet were cold
before I even crossed the threshold.

Eric Pankey
To Formulate a Definition

How often we are drawn together
By a single act of carelessness
The false positive or double negative
Understood as its opposite
We smear ourselves with ash
To make of the self a void
But instead of disappearing
We leave footprints behind
On the kitchen’s slate floor
The coastline cliffs collapse
Loose threads of rain
Unravel from a cloud sampler
But what is the proximate cause
We learn to discern patterns
And predict the vernal equinox
We hold a curve of willow charcoal
And make a hesitant first mark
Then write a treatise on the nature of things


Haylie Smart
Now You See Me

“What is it?” Mr. Snell said. He rose from behind his desk and peered down at the piece of paper through his wire-rimmed glasses. “It’s a note,” Ms. Reece said. “I just found it on her keyboard. What do you think it means?” Mr. Snell sighed. “I’m not sure, but I’ll give her family a call and see if they have an idea of where she’s at or if it has anything to do with what happened.” Ms. Reece frowned, a deep wrinkle of concern creasing her forehead. “Just go and sub her classes today until we get this figured out,” Mr. Snell said, dropping the paper on his desk. Ms. Reece shook her head and placed trembling, wrinkled fingers over her mouth. “I just can’t believe it. Why would someone do something like this?” Rubbing a hand over his defeated and exhausted face, Mr. Snell shrugged and read the letter again: Now you see me.


Diane seethed when she read the group email, her red nails drumming on the desk. This was the last straw. We missed the birthday luncheon last month because of state testing, and other things, so how about we get together tomorrow during our plan period to celebrate the remaining birthdays and Laura’s going away for maternity leave? What sounds good to eat? —Molly

“‘And other things’ my ass,” Diane groaned. She reached for a dark curl near her cheek and twirled it around her index finger until taunt, a nervous habit she couldn’t break.
Since the beginning of the school year, every month the English and Special Ed. departments gathered together for a birthday luncheon. They were meant to celebrate the birthdays for that month. If there was a month that did not have any birthdays, then it was decided to celebrate June birthdays, since school was not in session. And on the next “no-birthdays month” they would celebrate July.

There were no April birthdays, so Diane was next having the only July birthday, but other things had kept them from getting together. There were two May birthdays, so now Diane would be grouped in with Brittany and Emma. To make it worse, they were also celebrating Laura’s maternity leave.
Diane didn’t believe in coincidences.
It was always up to the birthday person what kind of food they would eat at the luncheon and Diane fumed when Ashlee replied, It better be Mexican. Ashlee, with her brisk stride and nose always pointed up as if she were a coonhound in hot pursuit, had already celebrated her birthday in November, and somehow still managed to get away with whatever she wanted. It was then decided, of course: Mexican.

A sour taste rose in Diane’s mouth as she replied through gritted teeth, I’ll bring mango salsa.

Later that night as Diane diced tomatoes, onions, peppers, and mangoes she wondered why she went to the luncheons in the first place. She could easily make an excuse for why she couldn’t make it: a parent-teacher conference, preparation for the next day’s lesson, or research for future lesson plan ideas.
But she never did.
Maybe because she still had a sliver of hope. But the truth was they didn’t care if she was there or not. Diane’s mind drifted back over the last nine months as the new teacher at Winston Hughes Middle School. It was Diane’s first year teaching and ironically, she ended up at the same middle school she’d attended fourteen years earlier. Everything was different. Beige walls were now covered with brightly colored murals depicting quotes about respect and the joys of school life, famous writers and scientists, and, of course, the school mascot: zebras. In other areas of the school, vibrant mosaic artwork stretched down the halls from floor to ceiling. Millions of small broken pieces of glass and stone created the most beautiful scenery. This display of intricate creativity sparked a fire inside Diane. She was already passionate about learning and couldn’t wait to pass on that same joy to her students. Knowing teaching was her calling, she bounded in with her red lips glowing and short, dark curls bouncing. She believed in growing where she was planted. But the one thing that was most different from the school she remembered were the teachers. Or maybe they were exactly the same, but she was blinded by her insignificant and selfish thirteen-year-old problems. As Diane rushed to and from the teachers’ workroom in preparation for the first day, the other teachers didn’t have the same bounce in their step as she did. Shuffling along, with a soft swish, swish of their dragging feet, their eyes were glassy and distant. Not making eye contact when passing each other in the hall, Diane chalked it up to the disappointment of summer being over and having to start a new routine. But as the months went on, the dreary-eyed stares continued. Their pasty skin, disheveled clothes, and messy hair blended in with their drab and disorganized classrooms. Diane, with her satin blouses and pencil skirts, stood out like a throbbing, red thumb. Even the cheerleading coach, with her bleached hair chopped at the chin, wore a permanent frown to match her dead brown eyes. Her name was Joy. Maybe they thought the mural paintings and mosaic artwork would trick parents into believing this was a school that cared. A school that could make a difference. Diane decided it was where teachers went to die. The hospice of schools. But, nonetheless, Diane would make the best of it, as she always did. She couldn’t have known though she was in for a rude awakening. From day one, Diane was rejected by her department, for reasons she would never learn. The first day of school had just ended and the halls were cleared, except for broken pencils, gum wrappers, and crumpled notebook paper that always decorated the tiled floor. She heard an approaching group of voices outside her classroom door. “We’re going to try that new Cajun restaurant in town tonight. It’s got great reviews on Yelp.” Diane recognized the voice. It was Luc, the sexy history teacher down the hall. If there was anyone who didn’t belong in the school, it was him. With his bright sapphire eyes and cheery attitude, it was a mystery the other teachers hadn’t leeched it out of him in his three years there. He wasn’t married, and the disappointment among the single teachers spread like the plague when they found out he was in a serious relationship. Diane, wanting to fit in like any new teacher, joined the group of seven or so in the hall to contribute to the meaningless conversation. “Oh, you’ll love it,” Emma gushed. A round woman, she was married with three kids, but every time Luc passed her classroom she beamed at him like a puppy staring expectantly at a tennis ball. This perplexed Diane because the woman was notoriously known as an “unsmiley” person. “John and I went last week. You have to try the spicy gumbo.” There was a moment of silence as Luc smiled at this comment. Diane jumped in.

“Where is this place at? I love Cajun fo—” “So tell us Luc, when are you going to pop the question?” Molly interrupted, snuffing out Diane’s two cents. As the head of the English department, Molly reminded Diane of a sloth. Not only was she glacially slow, but she wore a thin, creepy grin at all times. No one glanced at Diane. Just then, the group of people shifted their bodies into a loose circle, facing their backs outward. They all met each other’s gazes and continued their conversation with an unsettling ease. They had done this before. Diane was not naive. She was the outsider and not welcomed. She retreated to her classroom and gathered her purse and lunchbox and left. Never known to be a quitter, Diane attempted to join the hallway conversations day after day, before and after school, but each time ended with the same blatant rejection. During lunch, she joined the English teachers in Molly’s classroom, the only place they ever ate lunch, and took her place among them. “Did you have Andrew Slicks last year, Brittany?” Emma asked. “That kid doesn’t have a clue. We’re doing a research project over the 1960s, and when I gave them a list of different topics they could use, he asked why 9/11 wasn’t on the list.” All the women burst into laughter. “I tell you, these kids are getting dumber every year,” Brittany agreed. The women paused to take bites of their lunches. This was Diane’s chance.

“I understand if he got the decade off, but he wasn’t even in the right century.” Diane laughed at her joke, hoping to evoke more laughter from the women. Ashlee coughed into her chubby hand, Emma stared at her cell phone, and Mary read an email on her computer. Right then, Laura waddled in with her lunch tray, looking seven months pregnant though she was only four months along. Her bright red curly hair bobbed along with each shuffle. “I swear the boys are fighting today. They’ve just been kicking at each other all morning.” The women laughed again and started sharing similar pregnancy stories. Am I fucking invisible? Diane thought. If I stood and screamed, would they even look up? Without finishing her lunch, she threw it away and left the room in silence. This became their norm. Every day, they sat scattered in Molly’s classroom eating their lunches and talking about school politics, Laura’s growing belly, their friends’ Facebook posts, or stories about their students’ stupidity. Not wanting to be known as the teacher who eats alone in her classroom, Diane sat at the edge of the group, eating in silence, and just listened. She had made several attempts to join in the conversations, but with each disregard to her contribution, Diane grew more and more silent. She wasn’t sure when she quit talking altogether. The worst part about all of it was Emma was Diane’s mentor, the veteran teacher who was to offer guidance and help with lessons to a new teacher. Diane remembered the first time she wandered into Emma’s classroom. She was in need of advice on how to effectively deliver that day’s lesson that had been assigned to her. Startled, Emma looked up from her cell phone and looked at Diane with curious eyes, as if she were seeing her for the first time. A stranger who had somehow become lost in a school and was in need of assistance on how to find their way out. When it registered what Diane was asking, her brown eyes dimmed and she dismissively waved a hand. “I don’t care. Do what you want,” she said before looking back at her phone. Do what she wanted? Diane was a brand new teacher. She didn’t know what she wanted to do. She didn’t even know what she needed to do. Confused, Diane retreated to her classroom and hoped Google would answer her question. It was a Tuesday morning in late February, before school started, when Diane realized she was staring at a Skittles wrapper on her classroom floor. She wasn’t even thinking of anything. Just sitting there and staring. Waiting for the bell to ring. The understanding slapped her rigid. She had become those bleary-eyed teachers waiting for death. This knowledge devastated her to the center of her being. All she had ever dreamed of was suddenly a toxic wasteland. Diane cupped her face in her hands and wept. She racked her brain for anything she might have possibly done to deserve such cold and unwelcoming coworkers. They were quite different. She was much younger than them, slimmer, unmarried, and without children. Did they see her as a threat? Beneath them? Had all the teachers once been like her, but years of neglect turned them into bitter old hags?

Diane decided then she would make it until the end of the school year and look for another job. She would not die there. But then the email came. Her birthday was intentionally skipped. By grouping hers in with the others and a maternity farewell party, it would be ignored entirely. That was it. She wouldn’t stand by idly any longer. After slicing up all the vegetables and mangoes and adding spices, lime juice, and a little sugar, she knew what the last ingredient needed to be. Whistling “Tiptoe Through the Tulips,” a tune her mother taught her, she mixed in a large amount of thallium powder into the salsa. The key ingredient in rat poisoning, “The Poisoner’s Poison” was tasteless and odorless. She had asked a friend where to buy some, making up a story about having a mice problem. The best aspect of thallium is that it killed slowly. Beginning with vomiting, nausea, and diarrhea, it then progressed into nervous system damage, loss of reflexes, convulsions, and eventually death. It’s possible it would appear they were just sick and couldn’t recover. Satisfied with her work, she covered the salsa and placed it into the fridge. “I will not die there,” Diane hissed.

As Diane took her seat at the far end of the table in Molly’s room, she watched the women pile food onto their plates at the buffet table and seat themselves. Diane had been first to make her plate because she needed to appear to eat and then excuse herself early. She’d make up a story, telling them she had to call a parent about their child’s missing assignments. Having no appetite, Diane took small bites of Spanish rice and chips and queso. “Mmm, this mango salsa is awesome. Who made it?” Samantha asked, a Special Ed. teacher who only came around at the luncheons. All the women mumbled they didn’t know, but agreed it was homemade. Diane watched them cram their faces with silent satisfaction and after she felt content with the amount they were eating, she excused herself and retreated to her classroom. No one looked up. After scribbling a note on a piece of notebook paper, Diane grabbed her purse and a few personal items, stuffing them into a large Target plastic bag. She laid the note on her keyboard and breezed out of the school. With her head held high and red lips curled into a sneer, Diane’s black high heels clicked on the ground all the way to her car.

Jonah Smith-Bartlett
A Foregone Conclusion

My father insisted that I attend Saint Joseph’s College in Rensselaer, Indiana because it was once the school of Gil Hodges, his third-favorite ballplayer of all time and his absolute favorite first baseman.

By my sophomore year, I surrendered to the fact that I would not become a close friend to a future Hall of Fame Gold Glover, but instead a favorite project of the priests that roamed the campus like rabid squirrels, ready to bite the underclassmen with a stinging shot of holiness. “Clarence Richards!” they would call out to me, breaking prayerful silence or psalmic utterances, hoping, I assumed, that this would be the day of penitence for the boy of academic mediocrity but alcoholic exceptionalism. I was just as amazed as they were, if not more, when I noticed exactly how fast my short legs could take me.

For those men who had dedicated themselves to lives of celibacy, I was frankly surprised and somewhat disappointed at how soon, certainly by my junior year, they had deemed me a lost cause for Saint Jude. The exception was wiry Father Anthony, who daily left a new volume of rigid theology outside my dormitory door. The most memorable of these— that is, the one that I recall now, twenty-two years later— was The Precious Blood: The Price of Our Salvation by Frederick William Faber. Within this thick book, Father Anthony underlined a number of paragraphs with light pencil marks. An example of Faber’s work (and I can’t imagine that this Frederick William Faber was a joy to be around in any social setting) was:

Alas! We have felt the weightiness of sin, and know that there is nothing like it. Life has brought many sorrows to us, and many fears. Our hearts have ached a thousand times. Tears have flowed. Sleep has fled. Food has been nauseous to us, even when our weakness craved for it. But never have we felt anything like the dead weight of a mortal sin. Later I would learn that Faber wasn’t wholly isolated by his theological rigidity. He did occasionally speak quite plainly. “Every moment of resistance to temptation,” he wrote, “is a victory.” By the beginning of senior year, almost all students at Saint Joseph’s had resigned themselves to the idea that free will, had it ever existed at all, was now certainly over. Their character (and the content of this character would determine the content of their future) was cemented in the choices of the previous three years. The boys with the wire-rimmed glasses and briefcases who fancied themselves the head of the student body politic were on their way to city halls and state legislatures. The philosophy majors, many of whom were poetry minors, were off to compose the elegies of young hopes of financial success. The artists would starve by passion, and the writers by the lack of the right word. And the education and the business majors who had thus far managed to avoid much ambition at all would do just fine. Those who lacked a vision for their future as graduation loomed large (and I was in this repellant bunch) twiddled thumbs, loosened belts, said things like, “Smoke ’em if you got ’em,” and “See you in the Funnies,” and wrapped pillows around their heads so as not to hear the noise of the alarm clock at their bedside. Saint Joseph’s, now including even Father Anthony, was ready to get rid of me. Yet, despite full academic satiation, I found myself hungry. My stomach grumbled even after a large meal and my mind raced late into the night, causing a sleeplessness that made my whole body ache throughout the next day. I was sore because, really unbeknownst to me, I had been straining since I first stepped foot onto that campus. I felt like an old horse still forced to pull a carriage—some unjust treachery soon to break me in two. I couldn’t explain it until I remembered Frederick William Faber’s tamer words: “Every moment of resistance to temptation is a victory.” I had resisted for nearly four years. What it was that I resisted wasn’t immediately clear. By temptation, I figured, Frederick William Faber meant vice, if not outright sin, and I had successfully indulged in my fair share of vices. The summation of my years at Saint Joseph’s was one temptation after the next, a series of trials down paths of gluttony and lust. These were only two of the seven deadly sins. To me, the ratio was rather admirable. In this game I was hitting .285, just slightly above the lifetime .270 batting average of the great Gil Hodges.

“Brother Clarence!” Nicholas Galloway called to me from the porch of the apartment that he shared with two farmer boys from just a few miles up the road. His hair was slicked back with Vaseline and he wore a short-sleeved button-down shirt with a thin, light-blue tie. His reputation on campus was unrivaled in its undergraduate magnitude, but the esteem awarded to that reputation shifted dramatically depending on the narrator. For those who spoke highly of Nicholas Galloway, they would note that he had a fine taste in expensive bourbon, excavated well-buried humor from tragic global news stories, and played violin. Those who spoke ill of him would note with disgust his indiscriminate licentiousness. Nicholas was glad to have this be the topic of dining hall conversation. How much they cared made him laugh. “Hi, Nicholas,” I said with some formality. We shared a couple classes. I knew the reputation well, but not the boy. “I was watching you walk this way,” he said. “Thought you would be headed home, but you came this way and here you are. You looked like your head was in the clouds. What were you thinking about?” I was thinking about a hunger, a sleeplessness, and a strain. None of these was I any more willing to share with him than with Father Anthony. “Graduation is just two months away,” I said. For seniors, this was the most innocuous of conversations. We held in common that sense of impending fear, even more than the usual commentary on the weather. “And the great wide world out there,” Galloway said. “Any idea what you are going to do when you are set loose out there?”

“No. What about you?” “No,” he said, running his fingers down the thin blue tie, trying to rid it of wrinkles that were never there. “But I’ve found that the worry does very little good. Well, actually, no good at all. So I’ve given up on worry, not that that stranglehold wasn’t a hell of a hard thing to wrestle away. It’s been instilled in me by a couple of hard-nosed parents who wouldn’t let me near the busy streets until I was well past ten years old. Well, I don’t know what’s going to happen, and neither do you. When you accept that, this warm feeling grows in your gut. It’s hot chocolate on Christmas morning before any of the presents are opened. Or when the bell would ring after gym class. Do you know what I mean?” “Sure,” I said. “The great escape.” “No, not escape,” Nicholas Galloway said. “Liberation.” I spent many nights in his bed. For a week I crawled through his window, worried about what the farmer boys would think. Nicholas encouraged me to take even the smallest dose of bravery and I began to use the front door. He laughed at my anxiety, what I considered to be a brave dive into the deep unknown. Nicholas conjured up memories, earlier realizations. That boy whose assigned seat I always stole in a middle school history class. I called it a practical joke. In some ways it was, I suppose, though I was the mark. A friend’s older brother who boasted by using his broad shoulders and thick arms to lift cinder blocks above his head. A swimming coach. A movie star. A Language Arts teacher who tried again and again to explain the profound need of Odysseus to make his way home. Why home, I thought, when adventure was abounding outside those cavernous Greek walls where Penelope wept? This seemed to be it. The hunger beginning, at least, to be satisfied. I must admit that I was surprised when the whole world didn’t shift. There was nothing dramatic. It was just as if I had been looking at a simple multiple choice question for my entire life, and during one of those nights with that strange bedfellow, I finally realized that the answer was “all of the above.” I awkwardly searched his manhood for my own. That’s what it was at the end of the day. I figured him to be my biographer, revealing to me short but poignant chapters that I never knew were there. I fumbled to read them when he turned off the small lamp on the nightstand. I find it trite now, but up until the point when I fell into the world of Nicholas Galloway, I hadn’t known pleasure, just contentment. My bodily pain now, or most of it at least, was a result of immature ecstasy. And best of all, he played the violin for me. Mendelssohn’s Violin Concerto.

Then, drunk on whatever concoction this was, I asked him, “Do you love me?” “No,” Nicholas Galloway said. “Not yet.” And that word—yet—could have offered hope. Though I didn’t tie myself to it. I wasn’t bound to it. What would be the purpose? It was the opposite of liberation. So instead, certainly doomed by that word, I threw the rope above those vowels and hung myself. We walked the stage, took the diploma, and shook the hands of unfamiliar administrators. Pomp and Circumstance and we were gone.

I sat in the dentist’s office and pondered my choices. Home and Garden. The New Yorker. Popular Mechanics. For years the door of the bistro that I managed was thoroughly stuck. It took all the power I had in both arms to open it up and get a whiff of what had been voted online as the best tomato soup in town. A new and overly enthusiastic employee took oil to the hinges. That morning I pulled again with all my might. The door, now good and loose, swung widely and caught me directly in the face. I chipped a top right incisor. Now here I was waiting for a Dr. Prescott, D.D.S., who was on the ninetieth minute of his hour lunch break.

Knowing nothing about growing tomatoes and caring little for a three-page debate on the best domestically made riding lawnmowers, I opted for The New Yorker. A cartoon of President Obama made the cover, running in the direction of the White House and away from a stampede of red, zealous Republican elephants. I skimmed through the black-and-white cartoons inside the magazine—talking dogs in offices, alligators at an airport gate, and an elderly couple siting at a breakfast table and arguing over a newspaper headline. Something about Medicare. Frankly, I didn’t understand a single one. One article after another written for the Sunday brunch mimosa-sipping elites. There was nothing that interested me enough to distract me from the pain of the chipped tooth. I ran my tongue across it. It was sharp enough to not try that again, a blade protecting the vulnerable nerve. Then, nearly putting the magazine down to instead close my eyes and nap until the young assistant behind the desk awoke me, I stumbled across a short story. “A Coward and a Quiet Boy” by one Mr. Nicholas Galloway.

And here some excerpts: “The most remarkable quality about Stephen was the weakness in his wrists. He couldn’t pull himself up to who he ought to be. He couldn’t lower himself down to who he actually was.” It became very clear, and I suppose that I appreciated the most minor favor of a pseudonym, that I was Stephen. “For the third night in a row, I awoke to find him, this time dressed in a thoroughly wrinkled olive-green suit, crawling through my window. He tumbled onto the floor and tried to gather together his dignity before whispering my name. ‘Nicky!’” I never once called him “Nicky.” “Stephen saw a glowing dot on the horizon, and when squinting, he realized that ever-so-slowly it drew closer. It could have been the bourbon that he took from my desk drawer that persuaded him of a grand illusion. This was the judgement of God on its way. None of his studies had prepared for him the inevitable end. None of his whispers, those few whispers of truth, protected him. The priests didn’t know who he became when he loosened his belt. Neither did his parents. Neither did his professors, his classmates, or that small handful of misfit friends. He had confessed only to me and refused to confess to Him. Well, He knew what happened when those spring nights swallowed Stephen up with their steadfast intention to induce sweat by one way or another. He knew.” The conclusion came when Nicky left Stephen to endure his unsympathetic self-affliction. Nicky moved east, and Stephen, in that allusion to tragedy, limped westward. Very precise adjectives and verbs generous to the author, if not authentic, made Nicholas Galloway’s choice in that final paragraph to be inarguably valiant. The author Nicholas Galloway, stated a short, italicized paragraph not long after Stephen’s betrayal, was an author-in-residence at Collins College in the Berkshires.

I drove toward the Green Mountains in a Jeep that was new to the Avis car rental lot. Two days before I chipped my tooth on the door of the bistro, my Ford Taurus had blown a gasket near my favorite record store and was now locked up until further notice at Hal’s Auto Shop. Inside the Jeep I felt bold (as opposed to the Taurus, where I felt safe) and rolled down the driver’s side window to smell all the potent scents of farmland. Soon I found myself twenty-four miles above the speed limit with a radio station playing the anarchic chords of the MC5. Collins College was only an hour further north. My anger felt playful in a strange way, in the same manner, I assumed, as it would set upon a fueled-up boxer in his corner just before the bell rings.

The student behind the welcome desk in the main hall of Collins College was thick in body, hair, and odor, and wore a dark-gray knit cap. It wasn’t hard to imagine him working down at the docks in a Baltimore or even a Gulfport, Mississippi. I approached with some hesitancy only to find him as friendly as he could possibly be. His name was Benjamin, he was from Bangor, Maine, and he was an American History major. I hadn’t inquired about any of these and realized, I suppose, that the long hours at the Collins College welcome desk (situated, Benjamin mentioned as well, at the further point on campus from the Student Center) might make any mighty longshoreman ready for kind companionship. I saw to use his kind and certainly loquacious nature to my advantage. With no hesitancy or ask for identification, he personally walked me up two sets of stairs and down two hallways until we both stood outside the office door of Professor Galloway. His task completed, Benjamin gave me a hearty pat on the back and returned to his lonely, ground-level watchtower. Nicholas did not recognize me when he answered the door, but due to what I assume was a sense of faint familiarity, he invited me inside. A young, long-legged woman sat on a leather couch to the right of his desk. Her blonde hair fit her well, despite being cut with a sure vision but no real plan of execution. She offered a wide smile. It was warm as well. She was a beauty. Not a leading lady of the silver screen, to be truthful, but one with a real shot at modeling blouses in a JC Penny catalog.

“Have a seat,” Nicholas said with such earnestness that I refrained from clocking him immediately. “So, I suppose I might have missed it, so please remind me. Could you give me your name again?” “I never gave it,” I said. I was tempted to say “Stephen.” “Oh,” Nicholas said, turning to the woman on the couch who then smiled at him as widely and warmly as she smiled at me. “Well then, might I impose upon you my own introduction? My name is Nicholas Galloway.” “I know,” I replied, trying to summon up a smile of my own. Given the circumstances I would settle for sardonic.

“I’m a fan.” “Oh,” Nicholas said with surprise. It felt good to know that this surprised him. “Welcome then! How can I help?” I had a hundred answers to this question and not just the ones that I had concocted in the Jeep as I passed one tiny New England clapboard town after another. They ranged back decades and they haunted me even now. I realized in that tiny professorial office, more times than I would have liked to admit. How could he help? It seemed like the answer was, in every possible way. And although he hadn’t helped, although he had abandoned me to a long, lonely, and wicked road of self-discovery, although he had revealed a naked chapter of that self-discovery (and a chapter, mind you, better left in the past) in The New Yorker that I found at the office of Dr. Prescott, D.D.S., as I looked across that desk to faint familiarity beneath fatty cheeks and thinning hair, I couldn’t help but feel after all of this a fond affection for the man. “Hi, I’m Jennifer Galloway.” I hadn’t time to answer before the wife stood from the couch and took my hand in both of hers. The tall, blonde, smiling, finally satisfying wife. “And I’m sorry. I didn’t catch your name.” “Clarence Richards,” I said.

Very kindly Nicholas asked if I wanted a cup of coffee, obliged me the final contents of a low sugar bowl, and invited me to stay a while. I took him up on both offers. He was very apologetic when he said that he had a dinner with some trustees in just a half hour. He rolled his eyes when he mentioned the trustees and Jennifer half-covered a giggle with her hand. Just the dull duties, he explained, that came with the job of a writer in residence. He asked where I was from and with no desire to be truthful I answered with an obtuse “down South.” That seemed to satisfy him and no follow-up questions came. He asked if I read a couple writers who had been especially influential upon him, and when I responded that I had not, he didn’t seem particularly disappointed. He said, now chewing on the end of a pen, that his favorite protagonist was still small-town America and his favorite antagonist was the foil of conformity to an outdated American dream. He noted, and here is the obvious, that occasionally what reviewers refer to as a “slice of life” was occasionally a slice of his own life. He sprinkled autobiography. He rubbed his cheeks in amusement and feigned embarrassment. “I think I have a few copies of my latest novel left,” he said. Then he pulled a book called A Long Winter at Wendell’s Farm from a stack beneath his desk and signed it: “Dear Clarence, Here’s something for a slow summer weekend. Yours, Nicholas Galloway.” I thanked him and he thanked me as well. So as not to be left out, Jennifer thanked no one in particular. She blushed, which I found charming, and I left. As I left, I felt the air turn to a mild irritation. They would be spending the night with the trustees when they should be spending it together.

Nicholas Galloway did not remember me. Not long after I had last seen that boy who played violin for me in no clothing at all, we both became men. And at some point when he became a man, no longer hiding behind any facade of either wit or depravity, he forgot me. His elusiveness in my life drew me closer in bludgeoning longing to him than I had ever been when we slept side by side. I deeply desired to know myself in whatever way he once knew me. Yet I became useful in a way that I would never have wanted, but have come to accept, as one must accept things when there is no one to blame. With the whole of me fading, the smallest bit lasted. And nameless to him he called me a plot, a theme, a conflict, and finally, thanks be to God, a conclusion.


Zinnia Smith

The restaurant has colored Christmas lights terraced across the windows. The booths line along the two walls, meeting in the corner. Brown plastic looks like leather. Each window is covered with shades, making long horizontal lines of streetlight and shadow. We sit down at the table and the waiter brings us three waters, but my mother asks for bottled. My parents say they’re going to have the buffet. I ask for an order of eggplant. “You want the buffet, too?” I ask for the eggplant. “You don’t want the buffet?” No, thank you, and I ask again for the eggplant. “No, you should go look at the buffet.” This time I point to the menu and ask again. “No, I think you will like the buffet. Go ahead and look.” My finger still points to the broad white menu, mouth – ing the word eggplant, and the waiter gestures to the buffet, half-facing me now. “You will like the buffet. Anything else to drink?” he asks my parents. Eventually, he turns to me and asks what I want. “A Heineken,” I say. “Good.”

You should smile more,
This is similar but not the same as the time an old man sat next to me on the bus. Leaving the restaurant in Cambridge, I took the 77 night bus down Mass. Ave. I liked to sit next to the window, leaving the aisle seat open, just so I could watch the sidewalk and the car blinkers. When it was my stop, he refused to stand up. He shook his head and pointed down as if he had a bad leg, the one he used to walk to the back of the bus and sit next to me. Some others might know this grimy experience of close – ness between strangers while wearing a dress: my bare legs straddling his knees as my body rubs against his. I saw it happen to a friend this New Year’s Eve. An old man just walked up behind her and humped her butt. You know, it’s not the same, but it’s also like the time my college professor said in front of the class that my white dress looked see-through. “That’s your intention, isn’t it?” he stated in front of the room.

You know, it’s not the same, but when I raise my hand in graduate school, I hear in response: “Good girl.” You know, it’s not the same, but at a party, a guy loudly cursed me for not having sex with him the weekend before. You know, it’s not the same, but the man sitting behind me on the train leaned forward between the seats and whispered, “Suck my dick.”

I don’t want to be any smaller. I’m tired of being smaller. I’m tired of trimming and smoothing. After I decided that I was done being smaller, my hips grew out. My white dress once fell loosely over my waist the spring I didn’t eat carbs or cheese, and I ran at least three miles, six days a week. All that running made me tired, so now the dress fits tighter than it used to, and regardless of whether or not it still fits, I don’t feel comfortable in it anymore. How could I? I didn’t even feel comfortable when I didn’t eat carbs or cheese, and I ran at least three miles, six days a week. Those were the days I lived on a college campus. I didn’t understand how important appearances were there, not until I left, and I realized one of the main things I learned is how to behave like an obedient feminist.

On the subject of cars,
I drive around the Hamptons in the month of June, leaving work in the evening and heading west, past the fork. In the evening, the sky is pink and violet where it meets the trees, blue and cool. The same radio ad plays every drive to and from work: “Honey, I’m ready to take my top off,” the sultry voice says. “Oh yeah?” he replies. The ad is for BMW convertibles.

On the subject of sandwiches,
I see my college friends and I marvel at how small they are. Flat hips and little arms. We’re still competing to be the prettiest girl at the party, and trust me, none of us will openly admit to this because we all like to pride ourselves on our independence and feminist thought.

(But my ass is looking good these days.)

For the record, the most liberating thing I did in 2016 was not the day I voted for a female president. It was eating a sandwich. A full sandwich made from two slices of bread, sharp cheddar cheese, sliced turkey, and extra Dijon mustard.

The White Dress:
I thought I would wear that white dress today. After shifting around my closet, moving plastic boxes of packed winter clothing, wondering perhaps if it was buried beneath the heavy wool, I remember. I got rid of that dress in a trash bag.

Light feminism, not unlike Diet Pepsi. I have female friends who didn’t vote in the presidential election. Maybe this is more a reflection of our privilege associated to race. Meaning: it’s safer to be a white woman than a woman of color in this country. Maybe this is more a reflection of our privilege associated to gender-identification. Meaning it’s safer to be a cisgender woman than a transgender woman. Maybe this is: they just don’t care about politics. Maybe this is: they didn’t have the time to make it to the polls? Maybe this is: they’re secure enough in their financial position, it really doesn’t matter, this way or that? Maybe this is: the ineffective cause-and-effect of the suffrage? Maybe this is ________?

Maybe we weren’t really meant to vote at all.

My hips grew wider and my voice got louder. In my disappointment, I’ve grown angry. Now I’m “that bitch.” A friend once described this readjustment in the world by experiencing a group of liberal-minded friends she was workshopping with: “Oh great,” they would say when she opened her mouth. “Here’s ________ with her ‘feminist talk’ again.” Is it too much to ask to quit it with the air quotes? Is it too much to ask to have people stop projecting emotions onto my body? Is it too much to ask to be treated like a human?

The British suffragists chose to wear three colors: purple for dignity, green for hope, and white for “purity in public and private life.” The Congressional Union for Woman suffrage in America, 1913, declared: “White, the emblem of purity, symbolizes the quality of our purpose.” When, July 9th, 1978, they marched for the Equal Rights Amendment that never passed, all the women wore white.

We strive for our feminism every day. My white dress is not the same as yours. But with my eyes, I see you. But with my ears, I hear you, sister. I will be quiet for you, to know you better. We ensure the rights of white women are the equal rights for women of color are the equal rights for transwomen are the equal rights of disabled women, free from persecution of religion, and this is when we become free. The very same day we wake up in the morning, and sit down to write and write about the beginning sun settling across the floor over the little lump of sand piled by the door, such a quiet thing.

My thoughts on being a woman writer:

“Politics is a dirty word”:

You know, it’s not the same, but it’s sort of like how Donald Trump said: “Grab them by the pussy.” Remember that everybody? Grab. Them. By. The. Pussy. That one time President Donald Trump said: “Grab them by the pussy.” Are. You. Fucking. Kidding. Me. America.

“You know,” my therapist says to me as he places his hands in his lap. “Words are funny things. Have you ever written to yourself?”
I ask him what he means.
“Writing to yourself,” he elaborates, “like a letter. You could find it very helpful in training how to talk to yourself. The tone of voice that you use. You’re a writer. Haven’t you thought about how words sound?”

 Have I thought about how words sound?

“Like . . . words can vary quite a lot,” he raises his palms upwards now. “Words can either feel like…oh, I don’t know…. Let’s say, they can feel like you’re naked on a cloud with Brad Pitt. Or words can feel like you’re being molested by Donald Trump.”

In regard to academia,
I’m struggling, you see. I’m wary of my arrogance, but I’m wary of self-censorship. Am I a fumbling pedantic? Am I really so tortured? Or am I just a woman in America. Better to speak softly. Better to simply wonder. Better to write personally. “Like this section here about your breakup, this part here about your boyfriend, we would like to hear more about that.”

I keep getting in trouble, and I’m losing my friends.

“I don’t think it matters what we read,” they said from across the table. “It matters more what all of them read.” They wave their hand around in the air, encompassing all the people outside the small square classroom who might be affected by the sexism of a 1950s Italian novel.

“I think you think it’s a bigger deal than it actually is,” they say.

Has a man ever been critiqued for the simple act of writing idea-driven essays? For fashioning rapidly a jeremiad? Does it even matter? I don’t see how I’m not in these thoughts; I don’t see how my active thoughts cannot be—

maybe I’m just dumb,

better to be smaller.

The part about the breakup:
 “This kind of outrage doesn’t harm anyone except the self . . . Breakups thrill on a pitch of outrage . . . It was the moment I stood on the sidewalk next to the ferry and the boy from New York shook my shoulders good-bye, mustered a brief “I love you.”—That was the moment to realize outrage might reside for an extension of time. And it did, and then it didn’t.”

I was drunk and lying across a fold-out table under a white party tent. He asked me if he could, and I said no, and he did it anyway. I pushed him away, but still slept with him after, because I thought I still loved him, and so I overlooked certain things . . . and so, how the whole thing really ended: me pulling out a tampon in the back of his car.

It makes me think about all the times I didn’t want to, but I did it anyway, because something told me I was responsible for it, something confusing love and commitment and care, and something confusing womanhood, and I didn’t have any friends to hold my hand while horizontal, or mothers whispering in my ear be safe. And the breakup never really ended, because I still have to remember how the I man I loved didn’t listen to me when I said “No,” how a man who loved me could still violate me, across that wavering line of intimacy and trust, because it was pleasurable to him.

It didn’t end at a ferry station, not really. So I remind myself that the story people tell is not often the true story, if a true story is defined as a complete story.

All I’m saying is that I want the authority to write nonfiction like Borges writes Fiction:
The other one, the one called Zinnia, is the one that things happen to. I walk through the world, and notice things that I’m not sure she sees. Although, at times, I sense a numbness about her eyes, a dozy glaucoma. She says lovely things as we pass the pink and white shivering cherry blossoms on the promenade. Where I feel like I’m taking up too much space along the cross-streets of the city, 46th between 7th and 8th, she physically cannot exist in too much space. She speaks about the future and the past with such ease, they manifest themselves into the expression of the present, and amongst friends, amongst the ingenuous chatter of dinner parties, she quotes writers and thinkers like incandescent music notes: “everything about her was warm and soft and scented; even the stains of her grief became her as raindrops do the beaten rose.” She crawls into bed with dry hair, and takes her showers in the morning, and sips her tea sitting by the sliding glass doors facing the garden, she, looking longingly at the patio furniture for the warmer morning air. Oh, she knows how to walk the length of a tightrope while balancing a toothpick on the tip of her chin and from 300 feet above as she glides like water across the line. On our walks through the city, the bend in the path hugs the sooty river, and we pass the time in stilted conversation that is deceptively imaginative, until I close the door of solitude behind me and face my empty living room with the armchair and tarnished standing lamp with no substantial thoughts to suffice that voracious space. But you see, can’t you? You must know that I notice the cherry blossoms, too. I notice how the sun rises. I notice the thin crooked neck of the Virgo, the stainless demure. I’m more aware on the street of which way the eyeballs switch, watching. Yes, I admit that as I wash the burned chicken fat from the bottom of the pot, my mind resurrects the past into present emotions so that loves lost are loves needed and dreams dreamt are goals broken, and this makes my mind at times move languidly like a Lazarus. At 75 Main in Southampton, over white napkins and dinner plates of black-pepper tuna, I quoted the writers like she does; I quoted the thinkers like she does. But my words were more like ice cubes falling into an empty glass. I do not not have the same reverence in the classroom as Zinnia does, not the same respect or appreciation, but I know the reason for this, because I can see when no one else can how she bites her tongue. In our shared mind, I hear what she is really thinking, and I hear all her arrogance, her intelligence, her anger. Sometimes on a return trip along the LIRR, I see her sitting in a seat next to the window, her forehead tilted against the black glass watching the world smear past in futurist assault, and she will look up and see me and wave. I sit next to her. Her mascara has smudged like the artist’s charcoal, and so I know she is tired, and so in relief, I know our conversation will be true, because what is being if not truth? (And this is why Zinnia is not.) During these short train trips, the whole world starts to swim together, but under me still simmers the sweetest desire to be more like her—to be more lovely and kind. I smell the scent of the Moroccanoil that lingers in the raptures of her wavy hair, as if it, a scent, knows that it is a delicate thing and wishes for the strength to stay to her person. But being so near, only I know the chill rising off her forearm.

And I do think if maybe people listened more closely then we, Zinnia and I, would be happier for it.


[An Article Online]

“Help! My Boyfriend Secretly Taped Me While He Was Away to See if I’d Leave the House. Is it OK for me to be mad?”

[Overheard at a Starbucks]

Conversation 1:
“What’s your favorite subject in school?”
“Really? Wow. Huh. Wow.” . . .

Conversation 2:
“What’s your favorite thing to do outside of school?”
“You know how to do that?” . . .

[My boss addressing a freelancer’s late assignments, at work]
“She probably has pregnancy brain . . . I’m not saying that to be sexist. It’s a real thing.”

[Over the phone, 8:30am, at work]
“Are you okay? You sound upset.”

[4:45pm, unscheduled review meeting]
“We hired you because you were supposed to be smart.”

[In conversation with my Grandfather]
Grandpa: “So . . . Zinn, how’s school?”

Me: “Good, I’m thinking about my thesis advisor . . .”

Grandpa: Hm.

Me: “I’ll be teaching a university course in creative writing . . .”

Grandpa: Hm. Me: “I taught The Second Coming last week.”

Grandpa: .
Me: .

Grandpa: “
How’s your brother?”

Shilo Niziolek

There are hundreds of birds in the towering cedar­wood two houses over. I can hear their ceaseless chatter; they are so busy making plans. I can’t identify birds by their sounds, and most I can’t even identify by their looks. The only birds I know by look are the crows, pigeons, blue jays, ducks, geese, swans, robins, seagulls, and blue herons, which are my favorite of all the birds, so stately on their tall, thin legs. More of the twittering birds fly in every few minutes. It is a miracle the tree can hold all their weight. I wonder if I knew their names if they’d come to me when I’d call. I want to say, come sit in my tree silly birds. It is me you came for. But I do not call, and they do not come.

I had that hollow feeling earlier again. I took a shower and was exhausted by it, as if I had just run a 5k race. I wanted to cry, but that is nothing new. Or if it is new, it is only about four months old. Again, this is probably just another case of me lying to myself. I think I have been crying since I turned seventeen. Maybe when I turn twenty-eight it will stop. A good ten-year run. I came outside to be rid of the feeling, and even though the dog shit hasn’t been picked up in at least two months because Andy’s jaw was broken by someone he called a friend, and I have been so sick and tired that I run out of energy almost as soon as I stand, it is still nice to sit out here. All it takes is the ability to tune out my sense of smell. Then I can hear the birds; I can watch the dogs grapple with each other and do zoomies around the yard. The wind can lift the long grass jutting out in clumps from the recent rains that I wish would come back. It is easy to forget how much I need nature when I am stuck in my own misery loop repeating things I don’t need to rehear.

Suddenly the birds become silent. I look up and they all flush out of the tree at the same time. The dogs feel the over­bearing silence too, and they are trying to fill it with barking. I want to cry more than ever now.

Someone in the distance is sweeping something. I don’t trust people who use brooms to sweep their driveways and the streets in front of their houses. One day I watched a man sweep all the yellow leaves off the street in front of his house, and then he proceeded to do the same thing in front of his neighbor’s houses on both sides. If I was the neighbor I’d be mad. Leave my leaves alone, I’d think. As soon as the man went back in there was a gust of wind and a couple leaves trickled into his clear pristine black tar, and I laughed out loud, as if I’m not always trying to stave off death and the death of my loved ones.

A couple days ago I went out to my mom’s house, so Andy could work on her car. We went into her craft room, so she could show me something. She told me the weird vibrations she has been having in her feet for the last year have now traveled to her calves. She said she feels it all the time. She said, “I haven’t told dad yet. But it is MS, I know it is. I can feel it in my body.” And I believe her. Nobody knows their own body better than a woman. It is the same way I knew, all summer long, that something wasn’t right in my stomach, that the center of my abdomen was in some sort of deep, wounded pain. And I was right. When it comes to our bod­ies, we are almost always right.

I got the diagnosis the other night while we were at a hockey game. The entire time, while young men were brawl­ing on the rink below me, the continual deep ache under my ribcage persisted. Just as I was thinking how I couldn’t do this much longer, how I must have a diagnosis soon or I will split in half, I got the email. You have a small intestine bacterial overgrowth. The email read. And right there, surrounded by strangers my eyes welled with tears. Answers. I had wanted answers so badly. I knew. We always know. That is how I know my mom knows what is happening in her body.

She is in Ireland now, for her fiftieth birthday. Ever since I was a little girl I have known that my mom has wanted to go to Ireland. I am so happy that she finally made it there, and at the same time I am worried sick about her. Each time a picture is loaded by her or my dad I can see it there, the ashen skin, the bags under her eyes that haven’t left since she got really sick about four years ago and discovered that her thyroid had devoured itself, as if it were a lemon scone or jelly donut. I can’t really believe that she is fifty. Or that I am twenty-eight. I mean twenty-seven. Or that my eldest sister is thirty and my littlest brother twenty-five. The dogs keep aging too. Roxy, our almost nine-year-old dog, has three more lumps that have cropped up that we have to get removed and tested for cancer. She already had three removed last winter when she had knee replacement surgery. Two of them were cancerous.
The outside world is breaking right now, as it does over and over again throughout all of history, ever. I should be an active advocate of society. I am a woman. I am part Native American and part Jewish and a whole lot of other white races. I should be out there fighting the good fight. But I don’t have it in me. So many people would call that a priv­ilege. I’ve seen the posts about it on Facebook, how if I am able to not be out there fighting it’s because I have the priv­ilege to not need to. And it hurts, like a deep mortal wound. If things continue as they are, I will lose everything. I will lose my health insurance. I will lose the ability to get my one remaining tube tied so that I will not die from my next ectopic pregnancy. But I just don’t have the energy to fight. Is that privilege, to be so sick that a shower makes me tired? It sure doesn’t feel like it. I waiver in between dropping out of school constantly though I love school, and though it is the only thing that is helping me pay the bills now. But getting to class can be so hard. Sometimes it is hard enough to get off the couch.

I was reading up on my new condition. Apparently, I am suffering from malnutrition, because the bacteria overgrowth prevents all the minerals, nutrients, and vitamins I am put­ting in my body through food and supplements from actually getting into my bloodstream. The treatment for this whole thing takes four months, and if that doesn’t get it all, anoth­er four months. I wanted to ask if I would be sick during treatment. Sicker, I guess, is the correct terminology, but my tongue froze in my mouth.

The sun keeps shining, but I am waiting on the rain. I need to be cleansed more than ever, though inside I feel like the ice storm from last winter: lavender bush frozen in place, sheets of ice on everything, crackling under foot, icicles drip­ping from the benches and trees.

The birds have not come back. Will they ever? The next time I have sex it will probably be June. Andy is learning how to expect so little from me. But that’s the difference between us, I always want more than what the world has to give me. There is a crow outside calling out a lonesome call. Maybe one day I will sprout wings and fly above the land, only to wish that I was a salmon swimming upriver to the sea.

Amanda Salvia
(Nonna, 2016)

On the front door of my grandmother’s apart­ment is a small sign that says SHALOM in English and in Hebrew—the greeting used by Jewish people, a salutation that means peace and wholeness. The plaque is simple, white ceramic with hand-painted red and yellow flowers along the edges. Just below is a beautiful tapestry depicting a Russian church; the cupola is made of golden yellow silk, offset by scarlet velveteen. Stiff brown ropes are stitched into the tapestry to rep­resent trees in this landscape. It’s a favorite among her neighbors in the senior apartment complex she’s lived in for almost thirty years. Her hallway is a row of di­vorcées (like herself) and widows, and a group of them have coffee every Wednesday morning in the lobby in front of my grandmother’s door.

My grandmother is neither Jewish nor Russian, but a four-foot-nine Italian woman we call Nonna, and right now, she wants neither the Shalom plaque nor the tapestry, nei­ther peace nor beauty.

“They mean nothing to me,” she says, hardly glancing at them before she snaps around and walks away in disdain. “You take them.”

So I do.

As soon as her last child moved out, Nonna got a pass­port. Using money from some smart investments, she spent her fifties and sixties travelling—to Turkey, Croatia, Israel, Moscow, Punta Cana, Egypt. She never took photos because she thought nobody cared to see them, saying, “If I ever try to show people pictures of buildings I’ve seen, take me out and shoot me.”

Instead, she bought art.

Every wall of her home is covered with paintings, photo­graphs, and tapestries; her tabletops are crowded with figu­rines, sculptures, and pottery. In her tight, cramped script, she has written on the back of every piece the country and year in which she bought it. Together, these pieces make up a timeline of the last twenty years.

Soon, she is moving to a smaller apartment, and I am help­ing her decide what to take. So far, we have packed a framed doily—a wedding gift crocheted by her mother—that had hung in her hallway and an ornamental wooden birdcage the size of a toddler that had sat in the corner of her living room, holding her extra yarn. Then we unpack the doily because she decided it was ugly, and then we repack it because she says it’s her favorite keepsake.

These moments seem normal now.

The electronic clock in her kitchen is one giveaway of her Alzheimer’s—it blinks the date, the time, and the day of the week. The way it takes up an entire corner of her counter means she cannot miss looking at it. A second tell is that she cannot remember why she has to move. How can we explain?

“Because last month, you got lost on the walk to your friend Terri’s apartment on the fourth floor.”

“Because you called Lucia four times on Halloween to ask what kind of food you should bring to Christmas.”

“Because we don’t know if you’re eating when you’re here by yourself.”

Finally, we sigh deeply and lie to her: “They’re raising the rent, Nonna. You can’t afford this apartment anymore.”

A third tell is that she doesn’t want any of her art.

“Amanda,” she says, picking up a large stained-glass vase that she got when she returned to her native Forlì del San­nio, Italy, in 1994. It was only the third time she’d been back to visit her cousins since she’d immigrated at age five; her mother had packed up her and her two-year old sister, and the three of them boarded a boat to Ellis Island where her father awaited them. The vase is nearly the size of a globe, and delicate, with pastel green, amber, and pink glass color blocks. She never put flowers in it, but sometimes lit a candle behind it so the light was thrown through the sheer panels, watercolor projections flickering on the top of the coffee ta­ble where it always sits. The vase has been the lodestone of the apartment ever since she convinced the customs officers to let her cradle it in her arms, rather than store it with her luggage, during the flight back to Pennsylvania, “Take this. I don’t know what it’s here for.”

I wrap it up carefully and place it in a box, knowing she’ll ask about it again in an hour. I put the plaque (Israel, 1992) and the tapestry (Moscow, 1999) in the box too, to be taken to her new apartment, so she might have some sense of nor­malcy. Perhaps she could even forget she’d moved at all.

Nonna avoided tourist spots purposefully—“I want to see how people live,” she used to say, “not how other people vacation.” She always opted to see the real experiences of real people. Growing up, she watched her father and mother struggle as poor immigrants in northern Pennsylvania—he worked in a paper factory and she raised their daughters— and watched them make a life for themselves that was simple and ordinary and, by the nature of their immigration, mirac­ulous. She valued daily life.

This is how she met her friend Ana, a woman she connect­ed with in Punta Cana in 1995. Ana was stringing necklaces with small shells while crouched at a milk crate. Her inven­tory was spread out in front of her when Nonna approached. Nonna spoke little Spanish, and Ana, little English, so they relied on gestures. This story is a family relic itself, and I have heard Nonna tell it so often over the years that, even now, I can see her recreating it. Their broken conversation went something like this:

Jewelry? Ana waved to her display.

My nonna must have nodded, looking carefully at Ana’s merchandise, fingering the shells. She had chosen one to buy when she saw the long string of cloth beads around Ana’s neck. The colors were bright—textured fabric of golden yel­low, teal, and red fixed into balls and strung along a thin cord of burgundy. Motioning toward it, Nonna pointed, I like that one.

Ana smiled and accepted the compliment. She was about to take Nonna’s money for the shell necklace when Nonna pointed again, and then held out the money in her hand, asking if she could buy the colorful beads.

Ana, surprised, shook her head, waving her palm over the necklaces on the crate, No, these are for sale, moving once again to sell the shell necklace.

But Nonna was insistent. Pointing to Ana’s neck and smil­ing, she admired the necklace Ana wore. Nonna moved her hands to mimic sewing to ask, You made it, too? Ana under­stood, touched the necklace and nodded, no longer defen­sive, smiling.

Nonna sat down and pulled a gold bracelet off of her own wrist, pointing to a tiny word etched inside the cuff, Italia. She held it out to Ana, who hesitated before taking it. Nonna nodded her encouragement, so Ana examined the bracelet and slipped it on her wrist, holding her arm out to admire the way the sun made the gold shine.

Nonna pointed from the necklace to the bracelet, and to Ana. Exchange? After a moment, Ana pulled the necklace from her neck and handed it to Nonna, and the two women spent the afternoon sitting behind the milk crate, “talking” and selling Ana’s wares.

Nonna took down Ana’s address and, back home in Penn­sylvania, mailed her a thank you card with a picture of her wearing the necklace; she received a full letter back, in Span­ish, with a photo of Ana’s daughter wearing the bracelet. For ten years, the two women exchanged cards and pictures every Christmas.

Now, Ana’s necklace is sitting on top of a bag of old cloth­ing and worn shoes, to be taken to Goodwill. Its colors have faded and the fabric is fraying in where it meets the suede, worn thin and sagging under twenty years of touch. I pick it out of the bag and put it in a box. I am over-packing, the plaque, the tapestry, the vase, even the necklace. Her new apartment is half the size of this one and very few of these pieces will fit, but she has spent decades collecting treasures and I cannot bear her to lose them. Even if she cannot re­member why, she valued these things, these stories. I value hers.

“Amanda, what is this?” Her voice is high, and flustered, so I drop mine to balance us:

“It’s a mosaic, Nonna. You bought it in Greece.”

I hold on, white-knuckled, to balance, and to these trin­kets, because this is my last hope.

These mosaics and paintings and sculptures and photo­graphs and pottery make up her last twenty years, and I have a childlike fantasy that I cannot admit out loud: that these remnants of her life amassed in her new place will force her to remember the rest, like they are puzzle pieces and having them all together will yield a picture of the rich life she’s forgetting.

I cannot help it; I miss the grandmother that her belong­ings tell me she used to be.

“Oh Madonna, Amanda,” she says like a curse, reverting back to her native Italian. English couldn’t quite convey her frustration. “Why do I have to move?”

I leave the room so I don’t have to explain why I am crying.

Her den is more lived-in than the rest of the apartment— it’s where she’s always sat at night, knitting and watching QVC with her credit card until she fell asleep in the recliner. (One of these late nights a couple of years ago led her to send me a package of 40 granola bars, which I received in an unmarked box with no return address. When I nervously called around asking who had sent them, and why, she told me she’d done it because “the man on TV was very hand­some.”) She doesn’t do much ordering anymore.

There’s very little art in the den—just a couple of small figurines of women holding baskets on their hips (Croa tia, 2001) and some painted coasters she bought in Egypt (1997). Mostly, there are photographs.

Every surface is covered with framed pictures of her chil­dren and grandchildren growing up. I recognize my parents’ wedding; my dad, smiling and with a full head of hair, is dancing with her, and she is caught mid-laugh because his tie clip is snagging her purple dress.

There is a snapshot of my two-year old nephew, my broth­er’s son, propped against the other frames. She has written “My Leo—Matthew’s child” on the back for when she can’t remember who he is; her dementia had already begun by the time he was born. I am sad for him, that he will not know Nonna when she could know him too. As I am slipping the picture into a frame, I remember her smiling as she watched him run across the yard before turning to my aunt and ask­ing, “Lucia, whose baby is that?”

I box up all the pictures, taking particular care with the photo taken at my uncle’s wedding six years ago. In it, she is seated on a bench outside in the sun, and all five of her children are standing around her, smiling. Circumstance and Italian stubbornness, a reaction to her bad divorce, have made it difficult to gather all of them together; it’s the only photo of them that’d been taken in decades. She looks beautiful and serene, in control and happy.
­ In every country, Nonna bought a cross; they hang on her bedroom wall in rows, the very last thing she sees before she goes to sleep each night. She raised her children Catholic, keeping with her Italian heritage, but stopped attending church after her marriage broke up. On her bedside table is a well-worn Bible with several pages dog-eared.

I’m thinking I shouldn’t be looking at the crosses; they’re on display, but only in her bedroom, and their religious sig­nificance feels like an immensely private part of her. I wonder what she thinks when she sees them, why she chose the ones she chose, and how personal the decisions must have been. My chest aches when it occurs that she probably doesn’t know now.

“Take them,” she startles me. I turn around, and she is staring at the wall of crosses. Her hands are clasped in front of her waist, and suddenly, I see her wrinkles, her thin grey hair, and her stooped shoulders in a way that never made her look old before. She is beautiful and calm, but lost and unhappy—in a moment of near-clarity, she seems to ac­cept that she cannot remember. “I don’t even know where I bought them.”

I do as she asks, and as I lift each one off the wall, I am overcome by the colossal weight of all of the things I’d packed. These are measures of a life fully lived, of my grand­mother—the immigrant woman who raised five children, who helped send her younger sister to college, who came to her granddaughters’ every dance recital. Who still made time to travel the world.

My hands are cupped around these memories, yet the fail­ure of her recollection means they cannot be touched. Her story, erased. I pack to preserve what I can, but it will never be enough.

I pick a cross for my brother, a green stone with rough squares chiseled in. Nonna has written “Dominica, 1998” on the back in her spiky cursive. My sister, an atheist, gets a metal one with smiling people painted on it, which I hope she takes to be a celebration of humanity more than God (Mexico, 2003).

For myself, I take a small one that is just the size of my hand. The cross itself is brass, but around it are small pieces of colored glass, their sharp edges rounded out; deep ocean blue and bright orange and rich magenta, golden yellow and emerald green all strung along a fading copper wire that is twisted around and around the brass.

There is no place, no date, on the back of this cross, and I’m glad. The ambiguity is comforting; the knowing that I will never know which country it was made in. She doesn’t know either, and for a second I feel close to her in a way I haven’t for a long time.

“That’s a good one,” she says, touching my fingers that are closed around the beaded cross, “I always liked that one.” For a moment, we are still.

I wonder what goes through her head, if she is remem­bering buying the cross, or trying to. She chose these things because they once felt right to her, they suited her taste, they filled a hole she chose to seal with beauty. Whether she knows it or not—and more often, lately, she doesn’t—these things make up my nonna.

After a moment that seems suspended out of time, with her hand on mine, she breaks the silence. “Amanda,” she asks, “Why do I have all this stuff?”

I slip my cross into my bag with the others and begin pulling the rest down off the wall, wanting to say, “Because you experienced the world, Nonna.” Instead, I pretend not to hear.


Em DeMarco
One Day in the Late ‘70s

Questions and Answers

In addition to providing a biography, our contributors answered the following;

1.     What literary character would you like to bring to life?
2.    Where would you haunt if you were a ghost?
3.    If you joined the circus, what would be your act?
4.    What animal other than sharks should have their own week?
5.    Eliminate one thing from your daily schedule without penalty or disap­probation. What would it be?
6.    If you had a warning label, what would be yours?
7.    You’re a new edition to a crayon box; what’s your color and crayon name?
8.    Best thing to buy for a dollar?

We hope that you enjoyed their answers as much as we did!

Dr. Jodi Adamson, when not reading, writing, sewing, designing costumes, playing with her puppy, and watching too much Forensics Files, is a retail phar­macist who dispenses happy pills and shoots customers with assorted vaccines.

  1. Eloise but only if we were twins and both living in the Plaza.
  2. Pet store-plenty of animals to play with for eternity.
  3. Fortune teller.
  4. Dolphins. Very interesting mammals.
  5. Easy. My day job.
  6. Proceed with caution—wandering mind!
  7. My color is the color of the ocean as the sun sparkles down on it, and my name would be sea dawn aquamarine.
  8. One time I bought a mini banana split. Delicious!

Bim Angst’s writing in multiple genres has been recognized with a number of awards, including a fellowship from the National Endowment for the Arts. “Fever” is from a linked collection of stories set in the 20th Century’s immi­grant-populated mining communities of Pennsylvania’s anthracite coal regions. Angst lives in Saint Clair, PA.

  1. My guess is that a gigantic white whale cruises the deep somewhere, and I would love to see the great scarred beast.
  2. There are a few beautiful mountain streams in Pennsylvania I’d be content to hang around forever. Visit and we’ll talk.
  3. I’d be the lady with the voluminous skirts and scarlet lipstick who caresses and reads palms in a tent off the midway.
  4. Dogs. And hyenas, who aren’t dogs, but close enough.
  5. My good girl wants to answer, but my controlling crone does as she likes and doesn’t care what others think, unless she’s unkind.
  6. May bite like a spider. Or maybe, Will turn away if bored.
  7. I would love to be a grass green or deep turquoise but would probably be an azo orange named egg yolk.
  8. A two-pack of ballpoint pens. Pleasing, portable, practical: Fidget, doodle, chomp, draw, tap, write, scratch, point, probe . . .

Judith Arcana writes poems, stories, essays, and books, and she hosts a poetry show on KBOO in Oregon. Her newest book, from Flowstone Press, is An­nouncements from the Planetarium—poems examining memory, considering the nature of wisdom, and reflecting on the experience of aging into new conscious­ness. Visit juditharcana.com.

  1. Maude, from the novel & movie Harold and Maude by Colin Higgins.
  2. The graveyard where my mother and all of my grandparents are buried (hoping to meet their ghosts).
  1. Reading poems & stories to clowns who respond dramatically for the audience; I’d wear a gown of gold sequins & silver glitter.
  2. Bears.
  3. I would eliminate the evening backup (to an external drive) of all work done on the computer during the day.
  4. Unlikely to Seek Your Approval.
  5. The crayon, very dark blue, is called Deep Blue Sea.
  6. One frosting shot at Cupcake Jones in Portland, Oregon.

Bert Barry is the Program Director at Saint Louis University. He earned a B.A. degree in German and a M.A. degree in English from Washington Uni­versity. He also earned a Ph.D. in English from Saint Louis University. He is devoted to the lyric poem, in all its countless variations.

  1. No doubt about it, Gandalf the wizard.
  2. Pennsylvania Station in New York—I am a train lover.
  3. Anything but a trapeze artist.
  4. Gorillas—our closest relatives.
  5. Meetings!
  6. “Do not ask a question unless you want an answer.”
  7. Sea blue/Beryl.
  8. Hot tea—at least in a few places.

Robert Beveridge makes noise (xterminal.bandcamp.com) and writes poetry just outside Cleveland, OH. Recent/upcoming appearances in The Literary YardBig Windows, and Locust, among others.

  1. The scientist who created the shapeshifting technology in Wendy Walker’s The Secret Service.
  2. Area 51. Mess with their heads a little.
  3. I’d be the IT guy. I’m always the IT guy. I can’t even be in the audience, much less in the ring.
  4. Capybaras.
  5. Shaving. Already hate it enough I only do it once a week or so.
  6. Warning: fatal if swallowed.
  7. Crayons have names now? The color would be a sort of mixture between red velvet and dark grey and would be called gingerleach.
  8. Depends on where you are in the universe. And what’s on the clearance rack.

Paula Brancato is a Sicilian-American writer, filmmaker and Harvard MBA, all of which contribute to her unique voice. Paula’s literary awards include the Booth Poetry Prize, Danahy Fiction Prize, and the Brushfire Poet and National Screenwriters awards. She currently lives in NY and teaches at USC and Stony Brook Southampton. She is a graduate of Hunter College and LA Film School.

  1. Heathcliff, of course!
  2. The cemetery in Lincoln in the Bardo—I would not be alone.
  3. The high wire.
  4. Doggies, silly. Of course, doggies!
  5. Work.
  6. Argue at your own risk.
  7. Blue star—kind of like sky with sparkles and crystals.
  8. A banana plus a tangerine.

Charlotte Covey is from St. Mary’s County, Maryland. Currently, she is an MFA candidate in poetry at the University of Missouri—St. Louis. She has poetry published or forthcoming in The Normal School, Salamander Review, and CALYX Journal, among others. In 2017, she was twice nominated for a Pushcart Prize.

  1. I would want to bring back Cedric Diggory because he deserves better.
  2. I would haunt all of my ex-boyfriends’ houses.
  3. Ringmaster.
  4. Bunnies!!!
  5. Going to work lol.
  6. “Handle with care.”
  7. It’s a dark blood red, and it’s called “Passion.”
  8. A Natty Daddy.

Holly Day teaches writing classes at the Loft Literary Center in Minneapo­lis, Minnesota. Her poetry has recently appeared in Big Muddy, The Cape Rock, New Ohio Review, and Gargoyle, and her published books include Walking Twin Cities, Music Theory for Dummies, Ugly Girl, and The Yellow Dot of a Daisy.

  1. Any one of the really flexible guys who posed for pictures in the Kama Sutra. I’m not particularly partial to any one specific model.
  2. Probably the White House—there are lots of other ghosts there, so I wouldn’t be lonely.
  3. Lion tamer.
  4. Octopi.
  5. Sleep. I could totally use that 8-9 hours for something much more productive.
  6. Very excitable.
  7. Cat butt (self-explanatory—it’s just cat-butt colored).
  8. Embroidery floss.

Diane DeCillis’s poetry collection, Strings Attached (Wayne State Univ. Press) was honored as a Michigan Notable Book for 2015, won the Next Generation Indie Book Award for poetry, and was a finalist for the Forward Indie Fab Book Award. Her poems have been nominated for three Pushcart Prizes, and Best American Poetry.

  1. Lear’s Cordelia. I identify with her.
  2. Right now, the oval office.
  3. The Amazing Zambora. Dressed as an ape, I’d rattle my cage, flinging the bars aside as I watch the audience scatter like a flock of starlings startled by gunshot. Either that, or the girl on the flying trapeze.
  4. The manatee. I remember watching one eat a head of romaine and how delicately it held the lettuce (pinky-finger-up style). It seemed to enjoy each small bite. I love a large, roly-poly mammal with good manners.
  5. Worrying about not having enough time to do all the things on my to-do list.
  6. Warning: Do not defend this administration to me, if we are to remain friends.
  7. My color would be a swirl of black and white and I’d call it Ambiguity.
  8. Day-old lemon curd cupcake from Plum Market.

Darren DeFrain is the author of the cult novel, The Salt Palace, and a collec­tion of stories, Inside & Out. He is at work completing an essay collection, A Moveable Barbecue, as well as a new novel. He directs the writing program at Wichita State University.

  1. Tristram Shandy.
  2. Austin, Texas drifting from concert to concert.
  3. The guy who gets mauled because he thought he could tame that big cat.
  4. Coral.
  5. Worrying.
  6. Gets older with age.
  7. Ulcerative red.
  8. A plastic poo emoji from a grocery store vending machine. Because some­one had to spend their day making plastic poo emojis.

Em DeMarco makes comics, takes photos at punk rock shows, and is currently learning how to tattoo. Her comics journalism and photographs can be viewed at emdemarco.com.

  1. Grandma in Roald Dahl’s George’s Marvelous Medicine. Grow down instead of up.
  2. The cactus room in Phipp’s Conservatory.
  3. I’d stitch the costumes, rather than be in the spotlight.
  4. Hm, so many choices! Maybe the rabbits whose eyes we burn for testing our perfumes. Or the sheep whose flesh we yank off while shearing wool. Or perhaps the cows that we chain down from birth before portioning them into meat.
  5. Coffee.
  6. Grumpy when hungry.
  7. A cheery green called “slime mold.”
  8. A blue Prismacolor col-erase pencil.

Carol Ellis was born in Detroit, Michigan and lives in Portland, Oregon. She’s been around the academic block with her Ph.D. in English from the University of Iowa. Her poems and essays are or will be published in antholo­gies and journals including ZYZZYVA, Comstock Review, The Cincinnati Review, Saranac Review, and Cider Press Review. She is author of I Want A Job (Finish­ing Line Press 2014). In 2015 she spent time in Cuba writing a book and giving readings.

  1. Ophelia in Hamlet by Shx.
  2. Venice.
  3. High wire.
  4. Dogs.
  5. Early morning weed.
  6. Hang to dry.
  7. Immigrant—as invisible as possible—no color.
  8. Gum.

Donna Emerson lives in Petaluma, California. Recently retired from teaching at Santa Rosa Jr. College, Donna’s award-winning publications include Denver Quarterly, CALYX Journal,, Paterson Literary Review. She has published four chapbooks and one full-length poetry collection. Her most recent awards are nominations for a Pushcart, Best of the Net, and two Allen Ginsberg (2015) awards.

  1. I would like to spend time with Mr. Darcy, in the form of Colin Firth. And he would be drawn to me.
  2. I would haunt African jungles where poachers hunt elephants and giraffe. Put spells on poachers so they can only save the wild animals.
  3. A trapeze artist, who never falls, is always caught by my strong partner.
  4. Elephant Week (there may be one): to save mothers and babies, where habitats are also preserved and human beings find a way to co-exist.
  5. Cut in half, the absorption of calories and fat that I eat, with no side effects. I adore dark chocolate.
  6. I would have a sign that said “Please kiss my hand, if you are so moved.”
  7. My crayon color would be light lemon, called curds & whey.
  8. I would like quarters to use in parking meters in San Francisco.

Mike Faran spent part of his early formative years growing up in England. It was then that he discovered his love for writing poetry. This talent was enhanced back at home as his education progressed in southern California. He completed two years at Pasadena City College before joining the Air Force for a four year enlistment. After that, with the aid of the G.I. Bill, he was able to complete a degree in English literature at California State University in Fullerton. Mike developed a condition that was diagnosed as Agoraphobia which caused him to live a reclusive lifestyle. Even though this lifestyle imposed certain social and economic restrictions it did allow him the freedom to pursue his writing. Mike’s poetry has been published many print and online publica­tions. He has also been twice nominated for the coveted Pushcart Prize. Mike’s poetry has touch the hearts and stimulated the minds of his readers, and his presence will be missed.

—Kindly written by Jerry Bjorklund

Karen Fayeth was born with the eye of a writer and the heart of a storyteller. Her work is colored by the Mexican, Native American, and western influences of her roots in rural New Mexico and complemented by an evolving urban aesthetic. Now living in the San Francisco Bay area, she can be found online at karenfayeth.com

  1. Charlie Asher from Christopher Moore’s A Dirty Job and Secondhand Souls. Probably a good idea to make friends with the physical manifestation of Death.
  2. Someplace that claims to be haunted but isn’t, like the Winchester Mys­tery House. I’d whisper “you’re awesome” in the ears of startled tourists.
  3. Ladies and Gentlemen! Gather ‘round and then quickly disperse to not see Introverted Girl.
  4. Fer-de-Lance. Fascinating, cranky, highly venomous, and a favorite prey of Jaguars. Holy moly.
  5. Does getting out of bed in the morning count?
  6. Machine runs on nachos and naps. Do not under any circumstance feed kale.
  7. A fabulous deep red with orange speckles called Sangria.
  8. A movie theater sized box of Junior Mints.

Susan Flynn has been published in Late Peaches: Poems by Sacramento Poets; No, Achilles, An Anthology of War Poetry; Tule Review; The Adirondack Review; Oberon Poetry Journal, Consumnes River Review; and Women Arts Quarterly. Her chapbook, Seeing Begins in the Dark, is being published by Etched Press of San Francisco in 2018. Susan lives in Sacramento and is a clinical psychologist in private practice and a university professor.

  1. Salander from Dragon Tattoo.
  2. The Sagrada Familia in Barcelona.
  3. In Cirque de Soleil a high wire dancer.
  4. Hummingbirds.
  5. Rushing to be on time.
  6. Sensitive to too much or too little.
  7. The black Madonna (blueblack color).
  8. Parking on the street in front of sunlight of the spirit or Zanzibar.

Judith Grissmer has been published in Sow’s Ear, The Alembic, Adanna, Bluestem, The Broken Plate, Clare, Midwest Quarterly, Streetlight Magazine, Schuylkill Valley Journal and in other literary magazines. She has upcoming work in Sanskrit and The Broken Plate. She is a retired marriage and family therapist living in Charlottesville, VA.

Mary Catherine Harper organizes the yearly SwampFire Retreat of artists and writers. See swampfire.org. Recently her poetry has appeared in The Com­stock Review, Cold Mountain Review, Old Northwest Review, Pudding Magazine, SLAB (Issue 12), MidAmerica, Print-Oriented Bastards, Sheila-Na-Gig, and The Offbeat. Her poem “Muddy World” won the 2013 Gwendolyn Brooks Poetry Prize.

  1. Nanapush, the trickster from Louise Erdrich’s novels.
  2. The top of Grizzly Peak in the Colorado Rockies.
  3. High-wire act [I have a poem about this, actually].
  4. Bengal tigers.
  5. Putting on shoes.
  6. Warning: What you say is what I think you mean.
  7. Amaranth is both my name and color.
  8. French fries.

Mary Liza Hartong is a graduate student in creative writing at Dartmouth College. She originally hails from Tennessee, but now calls the Granite State home. When she’s not writing she performs with an improv comedy group, slowly completes puzzles, and bakes fabulously buttery desserts.

  1. Enzo, the dog from The Art of Racing in the Rain. He seems like a sweet­heart.
  2. I would haunt every person who doesn’t believe in ghosts and brags about his non believing as if it makes him smarter than the average joe. Those people need rattling.
  3. I would love to work with the dancing poodles. I’ve always been quite fond of poodles. They’re smart, they’re beautiful, and they know their way around a stage.
  4. Raccoons! What other creature has such pesky, humanlike hands, and such a penchant for mischief?
  5. If I never had to drive again I’d be perfectly happy.
  6. Warning: Get too close and I’m apt to adore you.
  7. I’m the rainbow crayon called “Judy Garland.”
  8. Whenever I go to the dollar tree I make sure to buy a box of Buncha Crunch candy. It’s delicious and they charge you four dollars for it at the movie theater.

Kristen Jackson lives in Denton, TX with her husband, son, and three cats and teaches writing courses at the University of North Texas.

  1. It would be Cathy Earnshaw (because she is badass).
  2. I would haunt Zeniba’s cottage at Swamp Bottom from Spirited Away.
  3. I would be a contortionist in a circus.
  4. I believe cats ought to have their own week (or month, or year).
  5. If I could eliminate one thing from my daily routine it would be brushing teeth (so tedious).
  6. My husband tells me if I came with a warning label it would read: very frustrating.
  7. I’d be pine tree green.
  8. An excellent spring roll.

Sharon Kennedy-Nolle is a graduate of Vassar College and holds an MFA and doctoral degree from the University of Iowa. In addition to attending the Sarah Lawrence Summer Writing Institute for several years, she was accepted to the Bread Loaf Conferences in both Middlebury and Sicily in 2016. This year marks the third that she has been honored to be a scholarship participant at the Frost Place Summer Writing Program. Her poetry has appeared or is up­coming in Chicago Quarterly Review, The Dickinson Review, Juked, Lindenwood Review, Menacing Hedge, OxMag, The Round, Storyscape, Streetlight Magazine, Talking River, Zoned, and Westchester Review, among others, while her disserta­tion was published as Writing Reconstruction: Race, Gender, and Citizenship in the Postwar South (University of North Carolina Press, 2015).

  1. Jay Gatsby.
  2. Abandoned hearts.
  3. Cannon fodder.
  4. Sloths.
  5. Hard to say b/c there’s really nothing I do that I don’t want to do.
  6. Caution: highly flammable.
  7. Basic black.
  8. Feeding a family in India.

Carolyn Kreiter-Foronda, Virginia Poet Laureate Emerita, has co-edited three anthologies and published seven poetry books, including The Embrace, winner of the Art in Literature: Mary Lynn Kotz Award. Her poems appear in numerous journals, including SLAB, Nimrod, Prairie Schooner, Poet Lore, World Poetry Yearbook, and Best of Literary Journals.

  1. Charles Dickens’ enigmatic Miss Havisham, a literary character in Great Expectations.
  2. I would haunt the White House just as Abraham Lincoln has done at questionable times in our country’s history.
  3. Lion tamer.
  4. As a statement against poaching and the sale of rhino horns, the rhinocer­os deserves its own week.
  5. I would avoid watching violent films and TV programs that do little more than have a detrimental effect on the emotional well-being of humankind.
  6. Warning label: Do not expose to unnecessary chatter.
  7. My color would be “midnight blue” and my crayon name—Bonamassa Blues Deluxe.
  8. A can of Fancy Feast for our stray cat, Amigo.

John P. Kristofco’s poetry and short stories have appeared in over

two-hundred publications, including: Folio, Rattle, Cimarron Review, Slant, and Stand. He has published four collections of poetry, the latest being The Timekeeper’s Garden (orchpress.com). He has been nominated for the Pushcart Prize five times.

Bleuzette La Feir was born in Albuquerque, New Mexico. She is a graduate of the University of New Mexico with a Bachelor of Fine Art in theater. Her work has appeared in various online and print journals. Her flash fiction piece, “Bangs,” was nominated for the Best of the Net anthology. Visit www.bleuzette.com

  1. Mr. Darcy, of course.
  2. I would not haunt a where, I would haunt a who. I would nightly scare the crap out of the woman who let my father die alone and neglected.
  3. I’d be one of the crazy characters who runs into the seats and grabs audi­ence members to pull on stage and include in a Cirque du Soleil show.
  4. Bird Week! Let’s explore them all, from the hummingbird to the ostrich, the lesser honeyguide to the Andean condor. Diverse, strange and extraordi­nary. What’s not to love?
  5. Driving to get groceries. I want Scotty to beam me there, standby while I shop, then beam me home.
  6. Caution: May squirt milk through nose.
  7. Icy Aquamarine
  8. A roll of toilet paper.

Kaela Martin is a recent graduate of Stephen F. Austin State University with a BFA in Creative Writing. Her poems have appeared in THAT Literary Review, Thin Air, Catfish Creek, Cowboy Jamboree, Gingerbread House, as well as other journals.

  1. Katherine from The Taming of the Shrew.
  2. I’d haunt a theater on Broadway. I’d get to see all the shows for free and scare the cast. What more could I want?
  3. While I’m good with animals, I’d rather be on the trapeze.
  4. I feel that elephants are way too interesting to not have their own week.
  5. I have an out of control coffee addiction that I should probably get rid.
  6. Talks Too Fast When Excited.
  7. I’m a purple crayon named “Get Hit.”
  8. Eight Laffy Taffy’s, all strawberry flavored.

Lucian C. Mattison is an Argentinean-US poet and translator and the author of two books of poetry, Reaper’s Milonga (YesYes Books, 2018) and Pere­grine Nation (Dynamo Verlag, 2017). His poetry, short fiction, and translations appear in numerous journals including Hayden’s Ferry Review, Hobart, Muzzle, Nano Fiction, The Nashville Review, The Offing, poets.org, Puerto Del Sol, and Waxwing. He edits poetry for Big Lucks. Visit Lucianmattison.com

  1. Let’s resurrect Death from Jose Saramago’s Death with Interruptions because why not?
  2. I’d haunt The White House at this point for sure.
  3. Clown on tiny bicycle who is perpetually off-balance.
  4. Let’s give fungi their own week. They deserve it for all their hard work.
  5. Daily schedule? I’m afraid I don’t know what that is.
  6. Slippery when wet?
  7. I’m going dark purple and have it be called Prince.
  8. Sour patch kids. Even if it is a tiny bag.

Jenny McBride’s writing has appeared in Streetwise, Common Ground Review, Rappahannock Review, The California Quarterly, Star 82 Review, Gy­

roscope Review, Conclave, and other publications. Originally from Illinois, she now makes her home in the rainforest of southeast Alaska.

  1. Sylvie, from Marilyn Robinson’s Housekeeping.
  2. The North Slope of Alaska, to scare off petroleum-seeking interlopers.
  3. Bearded lady.
  4. Squirrels.
  5. Mid-morning email check.
  6. She’s gathering material for a novel.
  7. Hazelnut (a lighter shade of chestnut).
  8. Two paperbacks at the Friends of the Library bookstore.

Frank C. Modica is a retired public school teacher who likes history, Brus­sel Sprouts, dark beer, and asparagus. Since his retirement, he volunteers with a number of arts and social service organizations in his community. Frank’s reading and writing is animated by interests in history, geography, religion/spir­ituality, and sociology.

  1. Doctor Watson.
  2. The White House.
  3. The clowns.
  4. Dachshunds.
  5. Combing my hair.
  6. Handle with eclairs.
  7. Green, Olive Oyl.
  8. Travel-size deodorant.

Benjamin Nardolilli currently lives in New York City. His work has ap­peared in Perigee Magazine, Red Fez, Danse Macabre, The 22 Magazine, Quail Bell Magazine, Elimae, fwriction, Inwood Indiana, Pear Noir, The Minetta Review, and Yes Poetry. He blogs at mirrorsponge.blogspot.com and is looking to pub­lish a novel.

  1. Aaron Burr from Burr.
  2. The restaurants that wouldn’t seat me because I was a party of one in this life.
  3. Bearded Lady.
  4. Mantis Shrimp.
  5. Work.
  6. Only operate under the influence of alcohol.
  7. Nardoon, a mix of red and brown like my facial hair.
  8. Wax Lips.

John A. Nieves’ poems appear in journals such as Beloit Poetry Journal, American Literary Review, and Mid-American Review. He won the Indiana Review Poetry Prize. His first book, Curio, won the Elixir Press Annual Judges Prize, and came out in 2014. He’s an Assistant Professor of English at Salisbury University.

  1. Rabo Karabekian from Vonnegut’s Bluebeard.
  2. The U.S. Capitol Building.
  3. Trapeze Poetry-Reading in Rhythm.
  4. Rock Hyrax.
  5. Cleaning the Litter Box.
  6. Warning: High Fives Incoming.
  7. Florescent Brown, Hot Dirt.
  8. Garlic.

Shilo Niziolek is studying Creative Writing and English Literature at Maryl­hurst University. Her work has been published in the Broad River Review, M Review, Z Publishing’s Best Emerging Oregon Poets Anthology, The Gateway Re­view, and is forthcoming in Heartwood Literary Magazine. Her favorite things are moss and crows.

  1. I’d bring Moses the crow to life from Brian Doyle’s Mink River, because Moses can read and talk and we’d be best friends.
  2. I would haunt the lush green forests of my hometown, Astoria Oregon.
  3. If I joined the circus I’d want to swing from the trapeze.
  4. Foxes should have their own week, because they are beautiful, graceful, cunning, shy, and mischievous.
  5. I would eliminate taking medication and planning out my food to fit the specific time table of my medications for my autoimmune disorders.
  6. Warning Label: Can be abrasive when hungry or tired.
  7. My crayon name would be Frothy and it’d be a mix between cream and coral.
  8. Disney cartoon washrags from the dollar tree that come in little squares and expand when wet; their rough texture is great for washing dishes.

Thomas John Nudi is a filmmaker and writer from Florida. He received an MFA from Chapman University’s Dodge College of Film. His latest feature film, Monty Comes Back, will be released soon. His poetry is featured/forthcoming in Boston University’s Clarion, The Virginia Normal, and Not Your Mother’s Breast Milk.

  1. Cat in the Hat.
  2. Disney World. All four parks. Give the kids a real spook.
  3. Striking the tent, loading the truck.
  4. Humans.
  5. Sleeping/Eating. Either/Or.
  7. Dead palm. Dead Palm.
  8. A small cup of coffee from an unbranded gas station.

Jeanne-Marie Osterman was born and raised in Everett, Washington, and now lives in New York City. Her poems have appeared in Bluestem, The Madison Review, and Third Wednesday. Her chapbook, There’s A Hum, was published in 2018 by Finishing Line Press.

  1. Mrs. Piggle Wiggle.
  2. Currently, the White House.
  3. Setting all the animals free.
  4. Elephants.
  5. Taking out the garbage.
  6. May contain nut products.
  7. Transparent; transparent.
  8. Twelve ounces of water from my local newsstand in New York City.

Michael William Palmer’s work has appeared in Georgetown Review, The Collagist, Bellingham Review, and numerous other publications. He lives in Forest Park, Illinois.

  1. Queequeg from Moby Dick.
  2. I would probably haunt my wife Kathleen unless/until she didn’t like it. Then I’d likely try to arrange a Christmas Carol-type of situation with vari­ous Republicans.
  3. I am a terrible and nervous performer so I doubt I would be very popular. But I am a very good free throw shooter, so I would probably shoot free throws while involving an animal somehow.
  4. If there was a channel that was just camera footage of migratory birds— Canadian geese, sandhill cranes, albatrosses, whatever—I would watch it, likely while drunk and/or crying, and not just one week a year.
  5. Meetings, but I would like them all to be canceled at the last minute so I can feel that rush every day.
  6. Warning: I’m not proud of it, but I will leave group work to everyone else, doing nothing myself, while pretending to be involved.
  7. Crayon name: American Mormon. Color: blindingly white. (Alternative crayon names for that color: Utah Jazz; or, with a shout-out to 30 Rock, Wilco Concert.)
  8. A refill of bad coffee.

Eric Pankey is the Heritage Chair in Writing at George Mason University and the author of twelve collections of poems, most recently Augury: Poems (Milkweed Editions 2017).

Donna Pucciani, a Chicago-based writer, has published poetry on four con­tinents in such diverse journals as Poetry Salzburg, Istanbul Literary Review, Shi Chao Poetry, Journal of Italian Translation, Acumen, and Feile-Festa. Her work has been translated into Italian, Chinese, Japanese, and German. In addition to five Pushcart nominations, she has won awards from the Illinois Arts Coun­

cil and The National Federation of State Poetry Societies, among others. Her seventh and most recent collection of poems is Edges (Purple Flag Press, Virtual Artists Collective, Chicago, 2016).

  1. A Gentleman from Moscow.
  2. San Donato di Ninea, the little village in southern Italy where my grand­parents and cousins were born.
  3. A Clown riding a unicycle.
  4. Rhino.
  5. Nothing. I am already down to the wire, and just need longer days.
  6. Hate Has No Home Here. I’ve had that sign and four others stolen from my front yard in the last year.
  7. Crawdad blue. Your guess what color that’d be.
  8. Dishes at the dollar store.

Robert Rice’s stories and poems have appeared or are forthcoming in various literary magazines, including Hayden’s Ferry, New Letters, The North American Review, The Saint Ann’s Review, and West Wind Review. He has also published four novels, including The Last Pendragon and The Nature of Midnight, and a memoir of six months spent alone in the Montana wilderness, Walking into Silence.

  1. Gandalf
  2. The White House.
  3. The great disappearing man.
  4. Pigs. Why not? They’re smart and cute, and if they smell, well, they proba­bly think we do, too. 5.Cell phones.
  1. Caution! Grumpy before coffee.
  2. Rainbow. It would change color depending on your mood.
  3. Candy.

J.E. Robinson is an award-winning essayist and fiction writer. He now appears Off-Off-Broadway as a playwright, most recently as a part of the Downtown Urban Arts Festival. He resides in Southern Illinois, near Saint Louis, where he is a college history professor.

  1. I am Wing Biddlebaum, the former country schoolteacher abused by homophobia, in Sherwood Anderson’s Hands.
  2. The lecture halls of every institution of higher learning in this country; once a professor . . .
  3. The ringmaster, tumult genius.
  4. The domesticated shorthair cat. Every week is a cat week. Sorry, Napoleon Bonaparte.
  5. Committee meetings at work. Such a mindless waste of time! Except the Awards Committee: somehow, I love giving away money.
  6. “Don’t blink: you might miss something!”
  7. Redbone. Now, that is very, very specific flesh tone!
  8. 1/17th of a share of a mutual fund. Hopefully, more, if Trump keeps blab­bing . . .

Amanda Salvia is a recent graduate of Slippery Rock University and a former editor of SLAB. She lives in northern Pennsylvania where she enjoys long walks on the beach and considering the feminist themes in every film she watches. In

her spare time, she writes, reads, and manages a retail store. It’s where she gets her best ideas.

  1. Mr. Rochester from Jane Eyre so I can hit him.
  2. I’d haunt whoever killed me. I assure you, I’m not dying unless I’m killed.
  3. I’m not showy—I’d probably just mend the tents.
  4. Dumbo octapi! They swim with ear-like fins. I admire them because I too have big ears.
  5. Sleeping. I’d love to be rested without wasting so much time.
  6. Caution: Contents under pressure.
  7. Loquacious Lilac. (I’m a talker, and I’m very pale.)
  8. Four popsicles for my nephew, who always asks for them in rainbow order. A dollar would cover red, orange, yellow, and green, and it’s worth every penny to see his smile.

Haylie Smart is a high school English teacher in Oologah, Oklahoma who has written and published several short stories and columns. She is currently writing her debut novel, which is largely based off the featured story in SLAB. She lives in Claremore, Oklahoma with her Aussie named Reece.

  1. Jamie Fraser from Outlander. Not only would I bring him to life, but I would make him my husband. Sorry Claire.
  2. The residence of Zac Efron. Anywhere he goes—I will follow.
  3. Mind Reader. I’m quite perceptive of what people are thinking and feeling at any given time.
  4. Puppies. I’d pay money to watch puppies play and sleep all week.
  5. Showering! It’s tedious and boring.
  6. Warning: Will Say Things That Make You Uncomfortable.
  7. A deep maroon named Relentless Lips.
  8. Sausage and egg burrito at McDonald’s.

Zinnia Smith is a writer and painter, living between Boston and New York. Her work has been previously published with The Southampton Review, Yankee Magazine, Story Magazine, and Public Pool. Her essay, “smaller,” is an excerpt from her manuscript American Cool.

  1. Somewhere between Joan Didion walking down the aisle in her dark sun­glasses, and Jordan Baker telling Nick: “I don’t give a damn about you now.
  2. The New England woods.
  3. Tightrope walker.
  4. Puffins.
  5. Emails.
  6. Too hot to handle.
  7. “Tequila” gold.
  8. Gas station coffee in a little paper cup.Patrick Stehno, a lifelong writer and self-proclaimed eclectic dilettante, funded literary aspirations through an array of jobs, from lab tech to arts ad­ministrator, exploration geologist to desktop publisher, and vernacular engineer to web manager and retirement. He’s had dozens of poems published in quar­terlies, journals, reviews, and anthologies.
    1. Valentine Michael Smith; from Robert Heinlein’s novel Stranger in a Strange Land. In our tense cultural and political climate we need someone to teach us all to Grok.2.  My 20s and 30s; to vicariously relive some amazing adventures.3. Training the Big Cats.
    4. The desert tortoise of both the Sonoran and Mohave Deserts.
    5. My morning bathroom routine; so I could get into my day faster.
    6. BEWARE: Vicious Writer At Work.
    7. Color: Weathered Grit; Name: Navajo Sandstone.
    8. Any music on Amazon; specifically, Angelyne, by the Jayhawks.

Kelly Talbot has edited books and digital content for twenty years, previously as an in-house editor for Wiley, Macmillan, and Pearson Education, and now as the head of Kelly Talbot Editing Services. His writing has appeared in dozens of magazines. He divides his time between Indianapolis, Indiana, and Timiso­ara, Romania.

  1. Jonathan Livingston Seagull. The world needs more enlightened beings.
  2. Anywhere my wife is, in a Patrick Swayzeish type of way.
  3. Filling the audience with positive energy.
  4. All of them.
  5. I’m not sure. Everything serves a purpose and provides an opportunity for growth and awareness.
  6. Warning: Human being, complete with flaws.
  7. Kelly.
  8. Fresh fruit.

Theresa Taylor teaches English composition at Wenatchee Valley College. Her short stories have appeared in Crosscurrents and Oregon East literary mag­azines, and her poetry has appeared in Mirror Northwest and Oregon East. She lives in Wenatchee, Washington.

  1. Bilbo Baggins. He’s small, brave, often underestimated, a writer, and he can throw a well-timed rock.
  2. Scotland. If I can’t visit there in this life, I’d at least like to visit in the afterlife.
  3. Preferably the Invisible Woman, so I could sneak around pulling pranks without being seen.
  4. Crows. They are such characters.
  5. House cleaning. We hates it, precious.
  6. The quiet ones are the ones to watch out for.
  7. Rust and Rusty Freckles. (A man once said I’d stood in the rain too long and rusted.)
  8. A book from the sale shelf at our local library.

Rachel Tramonte lives & writes in Cleveland, Ohio with her partner and their two daughters. Her work has appeared in Green Hills Literary Lantern, Third Wednesday, The Alembic, and other journals. She has work forth coming in Broken Plate and Matter Monthly.

  1. Mrs. Ramsey from To the Lighthouse.
  2. If I were a ghost I would haunt my daughters. Not to scare them but to inspire them.
  3. Guinea pigs.
  4. A trapeze act.
  5. Driving.
  6. Do not dry.
  7. Tablet white # -1.
  8. Extra guacamole.

John Urban’s poetry has been published in the Common Ground Review, Jet Fuel Review, The Rolling Stone, and The Broad River Review. He presently lives in San Jose, California. His first collection of poems, Three Songs for Children, was published by River Sanctuary Publishing in January 2017.

  1. Captain Nemo.
  2. London.
  3. Motorcycle Dare Devil.
  4. Humming Birds.
  5. Brushing teeth.
  6. Warning: over-sensitive.
  7. Ocean Blue.
  8. Donation to homeless.

Sierra Windham attends Coastal Carolina University as a sophomore and hopes to someday move to Brooklyn with her boyfriend and their kitten, Gin­ger. She is easily distracted by astrology, animals, and cream cheese danishes, and will most likely butt into your conversation should you mention La La Land.